Tag Archives: al-awda

Tar Sands for the week (January 21, 2014).

So I put together a little sheet on Canada-Israel extreme extraction links below. Why did I do that? Well, it’s been a strange week for tar sands developments, if you’ll pardon that pun. Almost a week ago, and during his Honor the Treaties tour, Neil Young was revealed to currently have booked an upcoming trip that will include playing before an apartheid audience in Tel Aviv. Young’s incredibly successful, powerful concerts and fund raising endeavor on behalf of legal defense for the Athabasca Chipewyan First Nation concluded on Sunday, which not at all coincidentally now kicks off the second Neil Young, solidarity with indigenous resistance campaign– this time, without him.

The possible damage to the struggle in Palestine is already being celebrated by various advocates for Israeli colonialism. Titles such as “Neil Young Proves the Failure of BDS’s “Cultural Boycott” with screeds denouncing people such as Roger Waters or Alice Walker (who wrote an excellent appeal to Alicia Keys, who played Israel last year in defiance of the boycott) have flooded out already. In one of the initial reports, in fact, Israeli apartheid apologists couldn’t conceal their glee in what was supposedly a simple news story at the Jerusalem Post: “With reports of shows by The Rolling Stones, Miley Cyrus and Lady Gaga still in circulation, 2014 is shaping up to be one of Israel’s most active for musical imports. Did someone mention boycott?” Continue reading

Combining revolution with art

Combining revolution with art

| September 9, 2004

Originally published in Rabble.ca

When the world learned of the death of Aisha El-Zaben, 55, a participant in the hunger strike by Palestinian prisoners held by the state of Israel, it was a sobering reminder of the tragedy of the struggle in the Middle East. So too, is the music of Al-Awda, a band from Palestine whose members were on a North American tour when the death was announced.

Having just recently finished the Canadian wing of the tour — to Montreal, Ottawa and Toronto — the traditional as well as modern musical band is enthralling audiences with powerful songs from Egypt, Jordan and of course, Palestine itself from across the history of the 20th century. Once they began to play the audience was hooked with powerful rhythm, even before a note was sung.

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